por Alexis Páez
El décimo Simposio Mundial para la Música Coral tendrá lugar este año entre el 6 y el 13 de agosto en Seúl, ciudad del Corea del Sur. Organizado cada tres años bajo el auspicio de la Federación Internacional para la Música Coral, el Simposio es un particular encuentro de los más prestigiosos coros y directores corales. El tema elegido para esta edición es "Salud y Juventud".
La participación venezolana se hará sentir en tres intervenciones durante el ciclo de conferencias, con los maestros Freddy Miranda, Cristian Grases y María Guinand disertando en sendos temas de su especialidad y de un amplio espectro de interés: Freddy Miranda hablará (y seguramente demostrará) acerca de "La percusión en la música coral", Cristian Grases presentará su trabajo acerca de las particularidades de la música barroca en Latinoamérica y María Guinand hablará sobre el repertorio latinoamericano para coros de voces iguales; esta última intervención va de la mano de la nueva adición al catálogo de partituras Verlag "Makumbebé II" y del CD que acompaña dicha edición, grabado por la Cantoría Alberto Grau.
Ciudad Sede: Seúl
Fechas: 6-13 Agosto 2014 (8 días)
Organización Anfitriona: UNWTO ST-EP Foundation
País Anfitrión: Corea del Sur
Socios Locales: Korean Federation for Choral Music (KFCM), National Theatre of Korea
Escenario Principal: National Theater of Korea
Programa: Talleres, Conciertos, Exposición Coral
A continuación les presentamos la programación completa de talleres y conferencias (en inglés):
Thursday, 7 August
Instructor Title Sanna Valvanne (Finland/USA) Sing and Shine with Body and Soul Elise Bradley (Canada) The International Phonetic Alphabet: How to Teach Choral Texts in Any Language Naomi Faran (Israel) Children’s Choir Conductor’s Workshop: Music of Arab, Islam, Jewish, Israel and Christian Traditions Freddy Miranda (Venezuela) Percussion in Choral Music (Latin America) Sanna Valvanne (Finland/USA) Sing and Shine with Body and Soul Hae-Jong Lee (USA) A Linguistic Approach to a Beautiful Choral Tone Johann van der Sandt (South Africa) Boy, oh Boy! Boys Choirs: Do They Still Matter? Harald Jers (Germany) The fascination of choral sound choir singing from an acoustic point of view Karen Cooksey (USA) Beautiful Bodies, Beautiful Music André de Quadros (Indonesia/USA) 1. Choral Music: Healing People, Saving Lives2. Music of the Muslim World is Our Music : Repertoire and StrategyHongky Cho (Korea) Special Choral Education for an Area Culturally Vulnerable through Kodaly A cappella Teaching Leonardo Sagliocca & Federico Bardazzi (Italy) The Sacred Choral Music in the Italy 17th Century
Friday, 8 August
Instructor Title Elise Bradley (Canada) The International Phonetic Alphabet, How to Teach Choral Text in Any Language Naomi Faran (Israel) Children’s Choir Conductor’s Workshop :
Music of Arab, Islam, Jewish, Israel and Christian TraditionsAndré de Quadros (Indonesia/USA) 1. Choral Music: Healing People, Saving Lives2. Music of the Muslim World is Our Music : Repertoire and StrategyJapan Choral Association : Presented by Yoshihiro Egawa and Chiiko Kobari Choral Activities in Japan, New Repertoires on Japanese Choral Music, and Study Case in Teaching Karen Cooksey (USA) Beautiful Bodies, Beautiful Music Johann van der Sandt (South Africa) Boy, oh Boy! Boys Choirs: Do They Still Matter? Bienvenido B. Constantino Jr. Aray Viray (Philippines) & Eliezer Yanson (USA) Creating Understanding and Building Bridges Through Choral Music of the Philippines Harald Jers (Germany) The Fascination of Choral Sound: Choir Singing from an Acoustic Point of View Freddy Miranda (Venezuela) Percussion in Choral Music (Latin Music) Karen Grylls (New Zealand) 1. Indigenous Traditions in the Choral Context, a New Zealand Paradigm2. The Language of Gesture: the Moments Before the Music StartsHae-Jong Lee (USA) A Linguistic Approach to a Beautiful Choral Tone European Choral Association – Europa Cantata (Gábor Móczár/President & Sonja Greiner/General Secretary) Benefit from the Singing community
Saturday, 9 August
Instructor Title Hongky Cho (Korea) Special Choral Education for an Area Culturally Vulnerable through Kodaly A cappella Teaching Lori Keyne (USA) Creating Music for a Border-Filled World Leonardo Sagliocca & Federico Bardazzi (Italy) The Sacred Choral Music in the Italy of 17th Century Rudolf de Beer (South Africa/Norway) Expression of "Emotions" in Music: from the notes to the sound - for young and old Karen Grylls (New Zealand) 1.Indigenous Traditions in the Choral Context, a New Zealand Paradigm2.The Language of Gesture: the Moments Before the Music StartsA Coeur Joie and ACDA Session A Coeur Joie and ACDA Session: Choral Activities Internationally Rudolf de Beer (South Africa/Norway) Expression of "Emotions" in Music: from the notes to the sound - for young and old Bienvenido B. Constantino Jr. Aray Viray (Philippines) & Eliezer Yanson (USA) Creating understanding and Building Bridges Through Choral Music of the Philippines Lori Keyne (USA) Creating Music for a Border-filled World Carus Session with Maria Guinand The Musical Treasures of South America – Repertoire for Mixed Choir 
Monday, 11 August
Instructor Title André de Quadros (Indonesia/USA) 1. Choral Music: Healing People, Saving Lives2. Music of the Muslim World is Our Music : Repertoire and StrategyAnthony Leach (USA) The African American spiritual: Alive and Well at Penn State Ki-sun Lee (Korea) Korean Choral Directors Session: How to Interpret Korean Traditional Folk Songs Karmina Silec (Slovenia) Choregie André de Quadros (Indonesia/USA) 1. Choral Music: Healing People, Saving Lives2. Music of the Muslim World is Our Music : Repertoire and StrategyAnthony Leach (USA) The African American Spiritual: Alive and Well at Penn State Karen Grylls (New Zealand) 1. Indigenous Traditions in the Choral Context, a New Zealand Paradigm2. The Language of Gesture: the Moments Before the Music StartsCristian Grases (Venezuela/USA) Is It Really Just Baroque? Colonial Latin America. Choral Music Kym Scott (USA) Australian Choral Music, New Repertoire for Choral Ensembles Ki-sun Lee (Korea) Korean Choral Directors Session : How to Interpret Korean Traditional Folk Songs Risto Joost (Estonia) Baltic and Scandinavian Choral Music Cara Tasher & James Hall (USA) Steps to Achieving a Well- Produced Sound: Incorporation Healthy Vocal Pedagogy in the Choral Rehearsal
Tuesday, 12 August
Instructor Title Bengt Ollén (Sweden) To Captivate and reach a concert audience. Preparations and work methods. How choir singers and choir conductor work together. To deepen the interpretation of the music by using expressions and movements. Pearl Shangkuan (USA) Voices of Women Today, Women Composers of Choral Music from Around the World Cristian Grases (Venezuela/USA) Is It Really Just Baroque? Colonial Latin America. Choral Music Bengt Ollén (Sweden) To Captivate and reach a concert audience. Preparations and work methods. How choir singers and choir conductor work together. To deepen the interpretation of the music by using expressions and movements. Bob Chilcott (UK) Jazz Masses for the Concert Hall and Church Karen Grylls (New Zealand) 1. Indigenous Traditions in the Choral Context, a New Zealand Paradigm2. The Language of Gesture: the Moments Before the Music StartsPeggy Dettwiler & Stuart Hinds (USA) Overtone Singing as a Choral Art John Winzenburg (Hong Kong) Spanning Regional Styles and Musical Languages in the Emerging Chinese Choral TraditionMark O’Leary (Australia) Sight-Sing School, an Online Sight Singing Solution Pearl Shangkuan (USA) Voices of Women Today, Women Composers of Choral Music from Around the World Cara Tasher & James Hall (USA) Steps to Achieving a Well- Produced Sound: Incorporation Healthy Vocal Pedagogy in the Choral Rehearsal
Wednesday, 13 August
Instructor Title Frieder Bernius (Germany) Performance Practice of Music of the 18th and 19th Centuries Kym Scott (USA) Australian Choral Music, New Repertoire for Choral Ensembles John Winzenburg (Hong Kong) Spanning Regional Styles and Musical Languages in the Emerging Chinese Choral Tradition Karmina Silec (Slovenia) Choregie Frieder Bernius (Germany) Performance Practice of Music of the 18th and 19th Centuries Risto Joost (Estonia) Baltic and Scandinavian Choral Music Yveline Damas Mabbyalas (Gabon) The Lullaby, Basic Education of Children, Source of Inspiration for African Choirs Guy Jansen (New Zealand) The Joy of Aesthetically-Sensitive Rehearsals Mark O’Leary (Australia) Sight-Sing School, an Online Sight Singing Solution Yveline Damas Mabbyalas (Gabon) The Lullaby, Basic Education of Children, Source of Inspiration for African Choirs Guy Jansen (New Zealand) The Joy of Aesthetically-Sensitive Rehearsals Peggy Dettwiler & Stuart Hinds (USA) Overtone Singing as a Choral Art - This is subject to change.
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